I started with figurative line work—bold, instinctive marks that cut straight to the feeling. Over time, my practice expanded to seascapes and landscapes, chasing light, mood, and movement across shifting horizons. But no matter where the brush leads, I always circle back to the figure. There's something raw and magnetic about painting people—how posture alone can hold a whole story. My process is intuitive, layered, and a little wild at times—blurring the line between control and release, memory and imagination.